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James
Turrell (1943-) is an American artist
primarily concerned with light and space, known for his work in progress, Roden Crater — a
natural cinder cone crater (Arizona) that he is turning into a massive naked-eye observatory. He has
also worked as a pilot with over twelve thousand hours flying; maybe, that is why he considers the sky as his studio, material and canvas. New Yorker critic Calvin
Tompkins writes, “His work is not about light, or a record of light; it is
light — the physical presence of light made manifest in sensory form.”
Fargo, Blue, 1967
... |
Rainer Maria Rilke (1875-1926) was a Bohemian-Austrian poet and novelist, widely recognized as one of the most
lyrically intense German-language poets. Several critics have described Rilke's
work as inherently "mystical." His writings include one novel,
several collections of poetry, and several volumes of correspondence in which
he invokes haunting images that focus on the difficulty of communion with the
ineffable in an age of disbelief, solitude, and profound anxiety. These deeply
existential themes tend to position him as a transitional figure between the
traditional and the modernist
writers.
"You, darkness, that I come from"
You, darkness, that I come from
I love you more than all the fires
that fence in the world,
for the fire makes a circle of light for everyone
and then no one outside learns of you.
But the darkness pulls in everything —
shapes and fires, animals and myself,
how easily it gathers them! —
powers and people-
and it is possible a great presence is moving near me. I have faith in nights.
I love you more than all the fires
that fence in the world,
for the fire makes a circle of light for everyone
and then no one outside learns of you.
But the darkness pulls in everything —
shapes and fires, animals and myself,
how easily it gathers them! —
powers and people-
and it is possible a great presence is moving near me. I have faith in nights.
...
Connection
between the two works of art
Both authors are fascinated by the
contrast (and by the coexistence) of darkness and light, by this mystery that
brings the unique experience of transcendence. One is
therefore invited to step out of his/her comfort zone to enter the
darkness, in order to get to know him/herself better. As human beings, we
are naturally scared of dark, of the unknown. To face darkness means
to suspend for a moment our effort to control everything around us, to
gain a new knowledge and to gain an experience that might make our
perception of the world different.
Patrícia Proksová
Parabéns pelo post, Patrícia; acho que esta dicotomia luz / escuridão é extremamente interessante! Em especial esta obra de Turrell (que tive o prazer de experienciar pessoalmente no CCB) que altera completamente a nossa percepção da luz e do espaço físico em que nos encontramos. O que penso que vai muito ao encontro do diálogo que estabeleceste entre estas duas obras: o facto de entrarmos numa sala escura, com dimensões relativamente grandes, e no fundo da mesma, vemos a luz; como se fosse, literalmente, a luz ao fundo do túnel. E também como dizes, enfrentamos a escuridão para adquirir um novo conhecimento: sobre nós e sobre o mundo.
ResponderEliminarEsta dicotomia é, para mim, muito interessante pois pode aplicar-se a tudo o que existe, seja no mundo físico (=palpável), seja no (nosso) mundo interior.
Deixo uma citação de Anne Frank que achei muito interessante e que, penso, ser uma boa adição ao teu trabalho:
Look at how a single candle can both defy and define the darkness.
Patrícia Silva, nº41166
Obrigada pela tua reação, Patricia! Ainda não pensei nessa ligação com a luz ao fundo do tunél, é interessante ver que cada um de nos tem conotações diferentes.
EliminarPatricia Proksova